Wyatt’s World By Wyatt Emmerich ‘The Help’ focuses on symbolic crux of matter I went to “The Help” on opening night at a packed theater in Tinseltown in Pearl - the only place we could get tickets. My reaction? “Chick flick.” Not that there’s anything wrong with that. I
don’t think there were any male characters who said more than a few
lines. This was a movie about women and the intricate relationships
between themselves and, of course, their “help.” So men be warned. The
movie portrays a lot of snooty, spoiled, racist, upper-middle-class
Mississippi women treating their maids with gross insensitivity. For
every nice person in the movie, there are five mean ones. I haven’t
found such depressing ratios in my life’s experience. The
costumes and scenery are awesome. It’s cool that the movie was filmed
in Greenwood. I laugh every time I think of my Greenwood buddy Don
Brock who successfully captured a one-line part riding on a bus. He
told the casting director, “I’m white but I’m gonna play it black.” I
went to high school in Greenwood and still have close ties there. My
company publishes the Greenwood Commonwealth. The entire town has been
tickled pink by all the attention. This shows you how far we have come. It
is true, the movie portrays Mississippi in the ’60s in a negative
light. Positive movies about racial progress don’t do nearly as well at
the box office. That’s just the way it is. But if
we must have yet another movie portraying this sordid decade of
Mississippi’s history, at least it was written and directed by genuine
Mississippians who can provide some measure of redemptive insight. In
this regard, “The Help” makes the most of a terrible era. “The
Help” keenly focuses on the symbolic crux of the matter. Whites didn’t
want their black maids using the same toilets that they did. The black
maids had their own inferior facilities. A key scene is when a maid is
fired for using her employer’s toilet. It was
depressing watching this, knowing this practice was definitely
widespread for many decades prior to the ’60s. Even today, many whites
don’t like to share swimming pools with blacks. I
was somewhat distracted during the movie by my wife Ginny’s emotional
sniffles. She was raised by her nanny, Nola, who is practically a
canonized saint in the Knight family. I’d be afraid to ask Ginny
whether she wants to be buried next to me or Nola. We have help today. Her name is Mary Merchant. She’s been part of our family for 15 years. From
the time Mary was 6 until the time she got married at 19, a truck came
at dawn to take her to the fields where she chopped or picked by hand.
At dusk, the truck took her back home. She got an hour for lunch. Mary
can’t hold back the tears when she recalls those days. “I never have
forgiven my father but I try every day,” she told me. “He wasn’t
educated and all he could think about was survival.” Mary’s
five children all went to college and now work as managers and
professionals. She suffered so her children would not. She accomplished
her self-sacrificing dream. Can anyone accomplish anything more in
life? Can anyone walk with their head held any higher? What are my
accomplishments compared to that? I am proud to share my bathroom with
Mary and she has never once gotten on my case about the lid. All
those years working in the fields and as a maid, Mary never got Social
Security withheld so she has little government security blanket. But
she doesn’t have to worry about that. She is part of our family. One
day I came home and gave my little girl Ruth a big hug with tickles and
kisses. I looked up and realized there was Mary, who was far more
deserving, to whom I rarely showed outward affection. In a burst of
uncharacteristic warmth and spontaneity, I walked over and started
hugging, kissing and tickling Mary just as I did to Ruth. Her eyes practically popped out of her head, but she was smiling and laughing, just like Ruth. |