|
Artist to exhibit work at Wells Museum By SUE WATSON Staff Writer  | Photo by Sue Watson | Hayes frequent visitor Randy Hayes makes a recent breakfast stop at J.B.’s on the square. |
The Ida B. Wells Museum will present an exhibition of art by Mississippi native Randy Hayes in May. A
worldwide traveller who has photographed many cultures both abroad and
in the United States, Hayes is recognized for his unique presentation
by mixing photography and art media. In 1979,
Hayes photographed some boxers in a gym which led to his first mature
body of work. The photography of subcultures so begun led Hayes to
continue focusing on subcultures in Los Angeles and New York, before
working in Rome in 1987. A commission from the Port of Seattle provided
opportunity for the artist to travel to three continents and India and
to amass a large archive of photographic negatives to further examine
culture and history. Then in 1990, he began to
paint directly onto photographs and also returned to the deep South to
produce a Southern series of photographs. “Photography
and painting have been intertwined since the invention of photography,”
Hayes said. “In the 20th century Robert Rouchenberg and Andy Warhol
both combined them, but I don’t know of anyone who combines them as I
do.” Although Hayes will exhibit only a few small
works at the Ida B. Wells Museum, he will be present for a reception at
the museum from 2 p.m. until 4 p.m., Saturday, May 17. This exhibit
will feature landscapes of Mississippi. Rev. Leona Harris, curator, said museum supporters are excited to have Hayes for this opening. “He’s
a friend of the museum,” she said. “He has donated a photo of blues and
jazz artist Dorothy Moore, of Jackson, a photo of Buddy Guy, a blues
artist out of New York, and a photo of the great, late, Margaret
Walker, a writer and one of the great trailblazers.” Though
Hayes lives and works in Seattle, he is a frequent visitor to Holly
Springs and to Mississippi and has relatives and friends living in
North Mississippi as well as throughout the state. In
the United States, his work has been exhibited in the Los Angeles
County Museum of Art, the New Museum of Contemporary Art in New York,
and the Cheekwood Museum in Nashville. Some of his work is now on
exhibit at the Mississippi Museum of Art in Jackson and is seen in the
“Mississippi Story.” Collections of his work are
located in the Seattle Art Museum, and the Museum of Contemporary
Photography in Chicago, as well as the corporate collections of
Microsoft, McDonalds and Safeco. In Mississippi, actor Morgan Freeman and his wife Myrna Colley-Lee have included some of Hayes paintings in their collection. Hayes
was born in Jackson in 1944 and grew up in the country near Clinton.
His family moved to Tupelo when he was 16, where Hayes graduated high
school, then attended Rhodes College and the Memphis College of Arts in
Memphis, where he received a B.F.A. in sculpture in 1968. Possessing an urge to travel early in life, Hayes traveled by freighter to Europe at age 19. “It was there I made a decision to become an artist,” he said. After
graduation, Hayes served as a VISTA volunteer in Seattle one year, then
moved to Boston, Mass., to freelance as a scene painter/designer
primarily with PBS Television. “This had an enormous influence on my life,” Hayes said. Returning
to Seattle in 1976, the artist opened a used book store which included
a small gallery exhibiting vintage and contemporary photographs. “This
experience allowed me to become steeped in the history of photography,”
said Hayes. “By 1983, I felt I could work full time as an artist.” Reflecting, Hayes said his childhood development in the South produced the early stirrings of the budding artist in him. He
spent time on his grandfather’s farm where he was exposed to natural
surroundings - farm animals, pets, flowers and fruit and pecan trees. “The
whole setting had a gracefulness that, to me, resembled a park more
than a farm,” he said. “At age six, I joined my brother and cousins at
the school bus stop. I always looked forward to art class, but my work
was never singled out for showing on the school halls. It was not until
sixth grade, and a new art teacher, that a drawing of mine - a tree
stump on the playground - was chosen for exhibit.” Drawing gave young Hayes a sense of connectedness to reality, he said. “I
made numerous drawings of my horse, or whatever else seemed important
to me. Only later, reading Wittgenstein, did I come across a theory
that only that which can be pictured is real. Wittgenstein also
believed that children form a sense of beauty at about age 12. “For
me, this would be the ponds and fields around Clinton, the river bluffs
at Vicksburg, Eagle Lake, Red Creek near Wiggens and the Delta and Gulf
of Mexico. “Standing there on the beeches at the coast, I began to sense the immensity of the world.” As
Hayes got older but still living in Mississippi, he felt all the
exciting things happened in other places as seen on television - the
California surf and people dancing on American Bandstand. “I did, at the same time, realize that Mississippi musicians had a tremendous impact on American music,” he said. While living in Tupelo, Hayes experienced the world from his dad’s car radio - Nashville, Chicago and Louisiana music. “Years
later, I made works of art about the people who seemed exotic to me as
a teenager,” he said, bartenders at Chicago’s Checkerboard Lounge,
roller skaters at Venice Beech, California, and hustlers in Times
Square. Now a mature artist, Hayes has evolved a
method of working that includes travel, photography, and painting on
the photographs he takes. From his large body
of work, he has evolved a series of paintings on various themes whereby
he paints directly onto photographs and grids of pictures, then the
work grid is installed on-site using pushpins. “While
I continue to paint subjects from around the world, for the past 10
years, I have also been working on a group of paintings concerned with
my original environment of Mississippi, Tennessee, and Louisiana,”
Hayes said. “Coming full circle, I have come to see my own heritage as
exotic.”
|